In 2026, when the World Cup final unfolds under the heavy summer sun of New Jersey, the world will stop to watch again, as it always does when football takes centre stage. But this time, something else will take place during the break between halves. Something new, something borrowed from another culture of sport and spectacle.
For the first time in history, the FIFA World Cup final will feature a halftime show.
It is a sentence that, for decades, might have sounded absurd to the fans. Football, the global game, the sport that prided itself on rhythm and flow, never flirted with showmanship during its sacred 15-minute pause. But as FIFA president Gianni Infantino confirmed earlier this year, tradition is about to give way to experimentation.
“I can confirm the first-ever halftime show at a FIFA World Cup final in New York New Jersey,” Infantino posted on Instagram. “This will be a historic moment for the FIFA World Cup and a show befitting the biggest sporting event in the world.”
The announcement came with another detail that speaks volumes about FIFA’s vision for the 2026 tournament. Coldplay will play a central role, advising and curating the lineup of artists in partnership with the non-profit organisation Global Citizen.
Their involvement will stretch beyond the halftime performance, extending into a “Times Square takeover” during the final weekend, turning the heart of New York into a global festival of football and music.

Infantino added,
“We also spoke about how FIFA will take over Times Square for the final weekend of the FIFA World Cup in 2026, during both the bronze final and the final. These will be two incredible matches, featuring some of the best players in the world, and what better way to celebrate them than in the historic Times Square in New York City.”
The plans are ambitious, and they mark a striking shift for a sport that has long resisted this kind of entertainment-driven approach. To understand how significant this is, you have to look at what football is and what it isn’t.
The Game That Never Needed Glitter
For more than a century, football’s rhythm has remained almost sacred. Ninety minutes divided into two halves, one brief intermission for rest and reflection, and then the final push toward destiny. That simplicity has always been part of the game’s global charm.
The World Cup, unlike the NFL’s Super Bowl or the NBA Finals, is built on continuity. The drama doesn’t pause; it lingers. The halftime break in football has always been a moment of collective breath, a chance for the fans to stretch, the managers to whisper, and the players to think.
American sports, on the other hand, are structured around pauses. Football and basketball are games of stops and starts, built for television breaks and sponsor spots. The halftime show grew naturally out of that rhythm. When the Super Bowl introduced its now-iconic performances, it wasn’t a disruption; it was a highlight.
But in football, there’s never been room for that.
The game moves with too much emotion, too much inertia. It builds, then bursts, then builds again. Adding a 20- or 30-minute musical interlude in the middle of a World Cup knockout match has always felt like trying to insert a pop concert into a symphony.
This is why FIFA’s decision for 2026 has stirred so much curiosity, even apprehension. It’s not just another entertainment segment; it’s an invitation for a global sport to embrace an American tradition.
Why FIFA Never Needed a Halftime Show
The World Cup has never lacked spectacle. Every tournament opens and closes with ceremonies designed to celebrate culture, unity, and host pride. Think of the fireworks over Moscow in 2018, the desert choreography in Doha in 2022, the giant drums and dancers that filled Johannesburg’s Soccer City in 2010.
Those moments are carefully choreographed statements, but they happen before the whistle blows or after the trophy is lifted. Once the match begins, football belongs to its rhythm.
The halftime interval, just fifteen minutes, is not built for performance. It’s for breath, tactics, and tension. Fans use it to talk, refill drinks, and rehash the first half’s chances. Coaches use it to regroup. Players use it to recover.
Stretching that time for a show would alter the physiology of the match. Football is a sport of sustained motion. Its athletes rely on body temperature, heart rate, and muscle rhythm.
Too much rest, and sharpness fades. Too little, and fatigue bites.
That delicate balance is why FIFA, UEFA, and leagues around the world have kept halftime short and purposeful.
And then there’s the cultural layer. The World Cup is not a national event; it is a global ritual. The idea of an American-style halftime show, with pop stars and pyrotechnics, feels foreign to the rhythm of fans in Europe, South America, or Africa, where passion flows through chants, flags, and drums, not scripted performances.
That is why the news that FIFA will try something new in 2026 feels like a turning point.
The American Influence
The 2026 World Cup will be unlike any before it. Co-hosted by the United States, Canada, and Mexico, it will span an entire continent. It will feature 48 teams, the largest field in the tournament’s history. And the final, at MetLife Stadium, will sit at the crossroads of global sport and American entertainment.
For FIFA, the appeal of introducing a halftime show is obvious. The United States is the world’s biggest entertainment market, and the Super Bowl is its crown jewel. Last year’s halftime show, featuring Kendrick Lamar alongside Dr Dre, Snoop Dogg, Eminem, and Mary J. Blige, drew nearly 120 million viewers, numbers comparable to the match itself.
Imagine that kind of pull for a World Cup final already expected to attract more than 1.5 billion viewers globally.
Infantino has never hidden his admiration for the way American sports are packaged. His leadership has been defined by a willingness to expand, modernise, and monetise. From introducing expanded tournaments to reworking formats, Infantino’s FIFA sees itself as a global entertainment company as much as a governing body.
In that light, the halftime show makes sense. It is both a marketing opportunity and a cultural statement. It signals FIFA’s intent to make the 2026 tournament not just a sporting event, but a global entertainment festival.
Who Will Perform The Halftime Show At The 2026 World Cup?

As of now, FIFA has not confirmed the artist lineup. But Infantino’s comments have offered clues.
“I also want to thank Chris Martin and Phil Harvey of Coldplay, who will be working with us at FIFA to finalize the list of artists who will perform during the halftime show, as well as at Times Square,”
he said earlier this year.
Coldplay’s involvement, alongside Global Citizen, suggests a more inclusive and purpose-driven production than the traditional Super Bowl spectacle. Global Citizen has worked with artists and activists to promote social change through music, blending performance with advocacy.
The partnership was announced at the 2024 Global Citizen Festival. Over the next four years, FIFA and Global Citizen will collaborate to promote access to sport and education for children worldwide. The halftime show, they said, will be a platform for that mission.
“The FIFA World Cup Final 2026 will be the most-watched sporting event in history,” a Global Citizen spokesperson said during the announcement. “But it’s about more than football. It’s a moment to unite the world, using music and entertainment to inspire action and drive change.”
It’s an ambitious idea: a halftime show not only to entertain but to advocate, to blend art and sport in the service of something larger.
The Cultural Tension
Still, many in the football world remain cautious. The World Cup’s global identity has always been shaped by its authenticity, the way it brings together nations, cultures, and histories through the shared language of the game.
Introducing a halftime show may feel like a small step, but it carries symbolic weight. It hints at a shift in priorities, from the purity of the sport to the spectacle around it.
European fans, especially, may see this as another sign of Americanization. For them, football is sacred because of what it is not. It doesn’t need glitter or choreography. Its beauty lies in its simplicity: a ball, a pitch, and millions of hearts beating in sync.
Yet, others argue that football has already evolved beyond that simplicity. The World Cup is not just a tournament anymore; it’s a global media event. From massive sponsorships to digital activations, it has become a cultural and commercial force. A halftime show, in that context, is not the end of football’s soul. It’s a reflection of what it has already become.
A Moment of Experimentation
FIFA’s decision to stage the first halftime show only at the final, not throughout the tournament, is a calculated move. It allows them to test the waters without disrupting the traditional rhythm of the earlier rounds.
The final, after all, is different. It’s a global stage unlike any other, the moment where even casual fans tune in. For one night, the entire planet is watching.
If done right, a halftime show could amplify that moment. It could bring music and sport together in a way that celebrates both.
But the balance will be delicate. The show must enhance, not distract. It must feel like a celebration of football, not a performance that interrupts it.
The Commercial Calculus
Behind every decision of this scale lies economics. A World Cup halftime show opens a new layer of sponsorship and broadcast opportunities. Music partnerships, streaming rights, and branded collaborations all can add millions to FIFA’s already record-breaking revenue streams.
For broadcasters, it’s a dream. The Super Bowl halftime show generates enormous engagement on social media, extending the event’s relevance beyond the game itself. FIFA’s global reach could make the World Cup’s version even bigger.
But FIFA must tread carefully. The organisation’s image has long been shadowed by accusations of greed and commercialisation. Adding a halftime show risks feeding that narrative unless the message and execution are handled with care.
That’s likely why Global Citizen’s involvement is so prominent in framing the show as a cultural and humanitarian gesture rather than a corporate spectacle.
The Emotional Core of Football
At its heart, football is about feeling. The World Cup is not just watched; it’s experienced. Every roar, every whistle, every heartbreak becomes a shared memory.
For fans who grew up with the World Cup as a kind of ritual, the idea of a halftime show might feel strange. Football doesn’t need adornment. The tension of a one-goal game at halftime is already theatre enough.
But sport evolves because culture does.
What was once unthinkable can become tradition with time. If FIFA finds a way to honour the spirit of the game while introducing something new, the 2026 final could be remembered not just for who lifted the trophy, but for how football learned to embrace a new kind of moment.
What It Means for the Future
The 2026 World Cup halftime show will be a test, not of FIFA’s creativity, but of football’s adaptability. Can the world’s most traditional sport absorb a new layer of entertainment without losing its essence?
The answer may lie in how it’s done. If the show feels organic, global, and emotionally connected to the game, it could become a new form of celebration. If it feels forced or commercial, it risks alienating the very audience that makes football what it is.
Either way, it signals a new chapter. The line between sport and entertainment has never been thinner, and FIFA’s embrace of that reality may shape how the next generation experiences football.
As the world turns its eyes toward 2026, the game stands at a crossroads, between old rhythms and new sounds, between the purity of play and the power of spectacle.
When the referee blows the whistle at halftime of the World Cup final in New Jersey, the world will wait to see what happens next. Not just on the field, but on the stage.
And whether the idea works or not, one truth will remain: the world will still come together for the game. The songs may fill the silence for a while, but when the second half begins, all that will matter again is the ball, the pitch, and the pursuit of glory.
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